Thursday, 20 July 2017

Back to The Beast

- Ben Watson

The past year has seen a long overdue shift in the offerings of the Masterpiece line, bringing (finally!) non-G1 characters into the high-end fold. Beast Wars favourites like Optimus Primal and Cheetor have been given the perfect plastic treatment. This should be huge cause for celebration. I should be celebrating - and spending the requisite funds on pieces of such import. After all, Beast Wars is my thing - so why don't I feel it in the least? 



If my own unreliable timekeeping is correct, this Christmas (or maybe last?) marks twenty years of Transformers digging its talons into my life. Yes, 1997 was surely The Year of The Beast as the most exciting and guitar-shredding-theme-tuned cartoon exploded into my retinas and I was given my first hit of the plastic crack. I started young, as many do and remember trying to take the highlight of my yuletide haul to school to show my friends who'd received similar - but ultimately Waspinator had to stay home. Tarantulas came the month after for my birthday and the very long spiral towards where I am now began. But why do I seem to have fallen out of love with Beast Wars? How do my humble beginnings hold up against the last two decades of assorted excellence? 



For a start, not as well as they used to. For a few years now, I've just not felt the same energy for Beast Wars. Yes, you always remember your first but Armada thoroughly overshadows the Beasties when it comes to how much I nostalgically love a line. No doubt it was a huge stride forward in areas like detail and articulation but perhaps thanks to the intervening years filled with super realistic vehicles given a certain spark by the magic of the live-action movies - I no longer take beastformers seriously. 



The last decade has had no let up in showing audiences that the Transformers are wholly metallic beings whose bodies are made from vehicle parts (and vice versa?). So casting my gaze back to Beast Wars just has me thinking: how does a metal robot come out of a cheetah? And well, there's your problem. Overthinking. 



Beast Wars was what got me into Transformers because it was cool to a four-year old. Perhaps to recreate that long dim charm, I need to switch off the more mature and rational part of my mind. Set aside what gaining a degree in Robotics has taught me and remember it's pretend. Why take it so seriously? The toyline still proves to be an excellent source of great design, fun figures and a kind of energy that's long fizzled out of mainline Transformers toys. Isn't it fun to just stick some robot animals outside and imagine they're in their element? Short answer: yes. 



I think my real issue with Beast Wars today is that stylistically, while it may have informed most of the first couple of years of the 21st century's Transformers - it doesn't fit with them now. Beast Wars is best enjoyed as a standalone entity. Maybe, in the way it was first envisioned: as a toyline heavily influenced by Transformers but actually providing something completely different that wasn't supposed to tie to what you already know. Existing in a bubble in this way really lets you (or at least me) enjoy the figures on their own merits almost as if this is the only way Transformers have ever been. Of course for six-year old me, that was the truth. "So what really ruins Beast Wars is the rest of Transformersdom?" you decry me and I reply "Maybe, yeah." 



I'll always cherish  Beast Wars and the figures that populated my childhood (never as many as I think and hardly any of the ones pictured here) but for this collector, going forward the only way I can reconcile it with the other 90% of my collection that's made up of hard-edged vehicle men, is to leave it alone. To enjoy the figures in isolation and move on with Transformers as it rolls happily along a set of wheels or treads. Until the day it sets paws upon the ground once more - which going by oddly placed logos and rumbling rumours - may not be too far away... Perhaps it's time for a perspective shift. 


Follow Ben on Twitter @Waspshot23

Thursday, 13 July 2017

Five Tales: Connections Created Through Expenditure.

- Leigh Gregurke


There is importance I find in the experience and process of purchasing toys as an adult. I am aware and have always I think been aware of a certain feeling of wonder. The potential and the prize associated with a search.

When I journey to the brightly lit, advertisement abundant and controlled tour experience of a department store I feel no whimsy for what I might find and have little hope of an unexpected discovery. Living in Australia for all its benefits of isolation also results in a separation from consistent distribution. Mainlines deliver in sputtering dribbles, often entire release waves are missed and many stores burnt by poor selling stock make cautious orders.  Living in a time of instant information enables communities however to share information on releases which seems a service to cherish but it oft results in collectors being able to pinpoint stock and plunder shelves leaving naught behind. The only surprise left for the intrepid hunter is a binary one, is it still on the shelf or not?

There exists still a shore of great potential where the wonders of surprise, excitement and passion can equally be met with confusion, indecision and regret. The community toy fair, the market stall, the boot fair, the garage sale and the charity shop are all at odd parallels to the controlled and illuminated palace of the department store but they are dig-sites of unlimited potential.

It is that range of emotions that searching through a bucket of assorted plastic and metal toys creates that makes the process so important to me. The feeling of being a wily bearded prospector hastily shaking a pan, a keen eye trained for that speck of reflective gold. An archaeologist who considers not only the object but its past. Why does it have this sticker applied? What could have caused this damage?  The cultural anthropologist drawing on knowledges of other cultures to identify a variation in printing and an origin of creation.

Like a prospector's investment run dry though, an excavation already scavenged and forgery identified however these wells can be sour. Each purchase has its own story. Through five different purchases I will now tell you five very different tales that cross the full hemisphere of reactions.


The "lost city of gold hidden in the deepest jungle" moment


Perhaps the best find is the one that immediately distills you to actionAt a recent toy-fair, I lined up early and I knew to try and move to the back of the room early and avoid the crowds. I perused over table after table of star wars, matchbox cars, die cast trains then I saw it perched among loosely bagged Lego.......the silhouette of Mega-Pretender Thunderwing as though conjured by Senior's ink itself on an altar of plastic coloured bricks. I knew immediately it wasn't the table of a Transformers aficionado, I inquired if it was complete.....I could see it looked rough but it did not waver my intent. "I think so" he says cautiously as he hands it to me. 

I sigh as it is just the outer shell but I am not swayed, he gives me a price and I accept immediately before the numbers fully leave his mouth. He can tell I am pleased....."I know they sell for a lot sometimes" he says with cautious words....."planning to sell it on?" he adds and I can sense disappointment in his voice. "Never, this is for me, a piece like this should be enjoyed" I rebut sounding to me like a liberator of art, a collector of fine pieces ready to add another artifact to the museum.





The " .... seduced by riches " moment


I like to set a budget, it helps keep me centered in the moment, helps me spread my purchases around so I don't go all in one opportunity.....except for the times I go all in in on one opportunity. I cannot help but feel that pull of the exclusive release even against my better judgement. There was a point where I never owned any Botcon releases and it never seemed likely to be, being so far removed from their source. 

Then a dealer who I struck a conversation with asked me if I wanted to see something a little special.....he flipped open his jacket to reveal a bagged item, mostly obscured. I picked up hints of green and grey. His eyes dart side to side, mine echo the motion.....Botcon 09 Banzai-Tron he tells me in a tone that makes it seem dangerous. I like Banzai-Tron. I like the Energon Mirage mold. Suddenly something inside me wants.....nay craves a Botcon release. The price is delivered in a manner that tells me it's not negotiable and almost as though he had an eye on my wallet, it was my entire budget. Money changed hands, a plastic satchel slides from his hand to mine and I move on. I sigh something that is a mix of excitement, regret and pure adrenaline.






The "there might be something better around the corner..." moment


Somewhat informed by the regrets of the previous experience there are times I am reluctant to pull the trigger.  Perhaps that lure of the feeling there must be something better turned my head. I saw it there, something I had always wanted, Transmetal 2 Megatron, boxed no less with a very acceptable price tag, the type the makes you nod to yourself in agreeance, not a bargain, not an extortion.

I picked it up and then I put it down. It was one of the first things I had looked at. At the second hand market "you never grab the first thing" I tell myself like some ancient mantra convinced there is a better bargain. I console myself saying that if its still there after I have done a lap of the market I will get it. I do the lap, the market is rubbish and of course someone else grabbed it. In a fit of disappointment I spend some money on some regret plastic. I feel dirty and guilty.


IMAGE OF DISAPPOINTMENT NOT PICTURED


The " I don't precisely know what we have here " moment


I think it might be my favourite mix of emotions when you find something fascinating and engaging but you are not entirely sure what it is. Maybe its a variant, a knock-off, a lesser known line or sometimes just a gap in our knowledge. I didn't know a thing about Car Robots when I found an X-Brawn, it was in van mode and I purchased it. Got it home, turns out it was missing a whole arm, I actually spent a good twenty minutes not realizing it was missing and thinking I was doing it wrong.  Sometimes a lack of knowledge creates an instance of regret, luckily I didn't spend much but you hear stories of people spending big money on KO's and reissues unaware. That risk and reward element is just a little exciting.

I have picked many wonderful Machine Robo/Gobots/Select Convertors figures without knowing exceptionally much about them but found them all excellent and worthy of the follow up research and in turn a passion. Sometimes you get offered what you think is a KO and it turns out its an exclusive Euro/Australian release of Brainmaster Blacker as 'Gripper'.  I almost turned it down. 







The " human connection " moment


Perhaps my favourite finds are the ones that begin a new relationship between people. I don't mean the tense haggling or eye rolling at prices but those nice moments of connection where you share a memory. It was freezing cold (by Australian standards) as I walked down the isle of the trash and treasure market. Blankets spread out across tarmac in an old drive in, happy meal toys in buckets and bits of Bionicles in plastic bins line my path. Two middle aged men, scruffy looking, both smoking the last remnants of cigarettes to keep the cold at bay. A tarp littered with holes spreads out before them held down on its corners by four different alloy wheels that I really want to believe weren't hot goods.

I spy a maroon truck under an old patio chair partly obscured by a box of toothless angle grinder discs.


Without wanting to step through the field of old tools I try and catch a look at the truck and one of the men lifts the blanket covering his legs "you want that tape deck mate? five bucks". I know its silly but I feel a bit awkward as I sheepishly ask "Can I take a look at that truck?". He passes it over to me, the chrome has a little wear, two masked figures intact sit akimbo in the cab, the rubber wheels feel supple and stickers still cling mostly to its dusty surface. M.A.S.K. Rhino has always been a little grail for me. He tells me its been sitting in his shed for years, can't remember where he got it from but he stored an ash tray on the back like a trailer. He offers it to me for $2 and I look through my wallet, I offer him a tenner and tell him to keep the change. I share with him what it is, a little about the show and the line and while he doesn't recall it his face tells me that appreciates my knowledge and my passion regardless of how nerdy it seems in contrast to his sprawl of tools. I muse for a second privately on the nature of the stories of objects, the tape deck, the wheels, the toothless grinding wheels. We smile at each other as I walk off with Rhino under my arm, a shared understanding between us.





Go out and explore. Be Curious.


Until next time, keep it #Refined


Follow Leigh Gregurke @ambushthem


Wednesday, 5 July 2017

The Once and Future King

- mantis nine nines


Recently I purchased a Maketoys Cupola (the KO Data Clerk version to be accurate) and it got me thinking about what it is that defines a “Masterpiece” Transformer. Not because it is a 3P design, and not because it is a KO, but because it is 1:24 scale. Too big for most collectors to fit in with their MP Datsuns and the like, but perfect for my needs. 

For more years than many reading this have been alive, I have collected cars, models, and whatever else I can find in the 1:24 scale. And since 2003, this included Transformers. The original Masterpiece Prime may appear to be an outdated relic these days, but it’s impossible to overstate what a leap forward MP-01 represented for the TF fandom. Full of die-cast, packed with features and gimmicks, and designed to represent the ideal vision of the character, this was a new standard for what a Transformer toy could be. It was also an almost spot-on 1:24 COE truck. I loved it. It sold like hotcakes, and thus began the cycle of excellence that leads us back to the present day. And what a present! Transformers are getting the royal treatment, with loving care lavished upon us loyal Transfans.




The first attempt at a True collector-focused line began with MP-01 and the Binaltech/Alternators. These figures gave us what we were sure we wanted at the time: G1 characters with highly detailed car modes and a large degree of articulation. For years collectors kitbashed and customised figures to be as G1 accurate as possible, and represent as many characters as possible. I remember buying a red KO Hound Hummer with the intention of creating a “perfect” Ironhide. At the time I would have never thought a TF collector could do any better, and I was not alone. Little could I know that the 1:24 scale boom would be short-lived.



Classics was only intended to fill in for a year while Hasbro awaited the dawn of the Bayverse, but it ignited the fandom’s passion like no other. Trading accurate car modes and gimmicks for tighter engineering and more solid robot modes, the fandom seemed to suddenly realise that no, THIS was what they wanted all along.In fact I remember reading forum posts where people stated as much in almost those exact words. Fans wanted anything and everything they could get in this new style. Such was the hunger for Classics that Hasbro alone could not keep up. It was at this time that FansProject went from making gun and matrix upgrades for Alternators Prime and got the ball rolling full speed with City Commander. Hasbro continued to crank out molds as well, and fans were sure that collectors could not do any better.

When the announcement came that a new Masterpiece Prime was being created, much of the fandom were uncertain why. Others were upset that the “final” pressing of MP-01 had just been released, and here we were with a blatant cash grab. Little could we know just how correct this was. Since 2011 Transformers collectors have ridden an unprecedented wave of product aimed at making sure every character, no matter how obscure, is represented on their MP shelf. And yes, once again we are certain that what we have is EXACTLY what we want.

So where do we go from here? As you may have surmised, I believe that what was old is new again. Big bots are back baby, and 1:24 is the future. MPP-10 remains a curiosity for many, but as Wei-Jiang, Robot Hero, and KBB continue to upscale and enhance bots, and third parties like Toyworld continue with their larger than MP scale offerings we creep ever closer to full circle on What Fans Want.


It's not just size either. With Takara delivering all the cartoon accuracy we could ask for, a lane is left open for a shift back to vehicle accuracy. Not at the sake of good looking bots, but in spite of them. Given the brilliant engineering we see from all comers these days I'm sure there's someone capable of making both bot and car perfect. A perfect Prowl that also has a detailed interior? Yes please!





Perhaps one day this post will seem prophetic and perhaps not. Maybe the whole thing will collapse. All I can say for certain is that whatever the Absolute Ultimate Version is today will be obsolete tomorrow. Or not. Sometimes you just have to be patient for the future to catch up to the past.

Until next time, keep it #Refined


Follow Dan on Twitter @mantisninenines

Thursday, 29 June 2017

Generation One Car-Robots

 - Dorian MacQuarrie


There is something quite special about the Generation One Autobot car-robots. By car-robots I mean the first few waves of Autobots, taken from the Diaclone line and presented with new names, characters and in some cases new colour schemes. 




I missed the boat on G1 and it was only in the last ten years I even held an Autobot car-robot but I was immediately gripped by a certain magic that nothing else in the vast world of Transformers collecting, not Masterpiece, nor anything from the Third Party scene has been able to recreate.  

It is the "car" in car-robot that so enthralled me and drew me into a world of diecast, scale cars with real-world counterparts but with a hidden secret of transformation under the hood.





There is a sort of uncanny valley with most modern Transformers alt modes. Even the movie toys which are often based on real world vehicles can still have a hint of robot about them, maybe the paint work or panel lines betray what really lies under the car body. Steps are not taken to give them a worthy disguise. The Alternators/Binaltech line is possibly the only instance where the alt modes were presented as legitimate scale model cars, made for display in alt mode and definitely not to be confused with a Transformers toy(!)

From Hoist's car-towing capabilities to Skids' opening boot (complete with scooter were we talking about Diaclone Honda City Turbo) and of course the obvious but still marvelous car carrying capacity of Ultra Magnus, the G1 car-robots performed the necessary tasks required to pass as a toy car and nothing more. With rubbers tires, die-cast parts, spectacular real world detailing and chromed metalwork, they pass as convincing toy cars to the uninitiated, making their transformation all the more surprising and satisfying. 


Ye Gods that chrome wear 

Transformers have always had that 'two toys in one' appeal, a robot warrior with some sort of alternative mode but rarely do modern toys have an alternative mode that fulfills the toy-based function of its designated vehicle/camera/gun/tape deck etc. 

Universe 2.0 Sunstreaker's alt mode does not pass for a convincing toy car, it is clearly a Transformer and lacks many of the hallmarks that would indicate a toy car with only the intention of being a toy car. And that's fine, that's good, there's nothing wrong with that but cast your gaze over to the G1 car-robots and boy oh boy, they had that 'two toys in one' thing sorted. 




If only I had some drivers

I do find myself wondering why I don't just buy model scale cars, be they model kits or die-cast constructs but the answer is simple, they'd just be cars. That's it. The pure joy I feel over the G1 Autobot car-robots stems from the duality of their nature. They are inherently both a toy car and a robot. I'd say this stems from the original design ethos, to be cars that turned into robots, complete with little drivers (more on that topic in a future article, spoilers, I love drivers for my robots) and therefore they needed to pass as toy cars with all the trimmings necessary to fit that particular sort of toy. 


If you're reading this and wondering why little toy car-robots have such a prime position in my collection then maybe you need to go out and buy some of these G1 gems and experience them for yourself. Pound for pound, date for date, Transformers has never matched those original car-robots. 


Until next time, keep it #Refined

Wednesday, 21 June 2017

The Last Knight Voyager Megatron - Pictorial Review

 - Ben Watson

The Last Knight hits theatres this week and whether you've booked your tickets and are eagerly awaiting it or not, one thing seems to ring true among fans this time around: Megatron's new design is pretty damn slick. Honestly, I didn't echo this sentiment at first. He looks like a LOTR baddie or a Dark Souls boss more than a Transformer but the figure looked to be something well worth getting my hands on and certainly worth getting behind a lens. 



A Leader version also exists which furnishes the inexplicably reborn Decepticon leader with his new tusky faceplate and some flame effect parts along with a generally sleeker alt mode but I much prefer my leaders to not be Leaders. Voyager is enough size for me - and enough expense; because the very first thing to mention about any TLK toys is sadly the price. Every size class now costs roughly what the one above it used to. I.e. Deluxes are now Voyager money. But thankfully Voyagers don't feel as ludicrously overpriced. I've been paying roughly £30 for them for years through online dealerships so it's not much skin off my nose but I can well see how it might be for most. Good thing then, that Megatron delivers and for the first figure of a new movie design, that's no small feat. 



Starting in robot mode as everything does these days, Megatron is a very decent action figure before any conversion comes into it. Every joint is afforded a wide range of motion while actually for the most part being exceptionally tight. The current standard suite of articulation for Generations style figures is present, so sadly no wrists or waist swivel but this is more than made up for with a double ball jointed neck and ankle tilts that go as deep as you could ever possibly want them to. For once this point of articulation is a transformation joint - clever. All of this allows you to make the most of Megatron's imposing feudalistic form and imbues a great deal of character. 


Gimmickry is clearly minimal in a line focused only on accurately portraying on-screen designs but (depending on what you count as gimmicks) Megatron isn't totally devoid of fun touches. Firstly he wields his big new axe-sword / sharp pendulum thing. I have no idea how the describe this top-heavy weapon but it looks weighty and destructive in his grip and feels like a perfectly brutal blade for him to counter Optimus' robo-Excalibur with. This can also be stored on his back but lies just out of reach for him to pose as if he's grabbing for it. 



For the first time movie Megatron also wields his cannon mounted on his right arm. I hesitate to habitually drop the words "fusion cannon" because judging by trailers and the inferences of the Leader version it appears much more incendiary in nature. It sits on his arm in the right place and looks suitably alien - a little Gigeresque actually - and can fold up and retract to the underside of his arm. This motion is really for transformation but it can allow you to create the sense of him extending it for battle - a dynamic from the movies I've always enjoyed.



Perhaps the best touch of Megatron's robot mode however is his light piping. It feels like ages since this was a regular thing and while it's relatively difficult to get to glow, it works so well for Megatron's beady rage rubies. This also provides a very effective hint of colour against his mostly monochrome metallic bod. I can understand the feel they're trying to evoke with the layers of black armour but it does leave Megatron feeling particularly visually uninteresting without good lighting. At least the dull gold accents prevent the deco from being completely dim but there are also some not-so-easily seen silver washed sections to create a touch of depth. 



Transformation is quite entertaining, especially considering the fact Megatron essentially goes from an entirely rounded robot to a purely flat-edged jet. Very little of either mode can be seen in the other and honestly it just leaves me feeling like each was made by a different concept team. Megatron appears to use magic to transform because while you can spot jet sections on the figure, the CG model just has nothing that goes any way to resembling vehicle kibble. This is a personal gripe of mine over the newer movie designs; at least before you could see roughly how they transformed and what into but now, pfft, no chance mate. All this aside, Megatron's new jet mode is certainly distinctive. Echoing some shapes of his 2007 alien form but appearing to be made out of earthen jet sections arranged in a sci-fi way, it almost feels like Megatron. Honestly I keep seeing Beast Machines Jetstorm in its suggestion of a face in the translucent cockpit... But good detail abounds to (for once) give you a sense of a Cybertronian mode that isn't just visual BS. I really hope we get a mildly good look at this mode in the film because if nothing else, it feels kinetic and I'd really like to know why those blue thrusters appear to be facing the wrong way... 



All in all, Megatron delivers a really interesting new design that at least has some kind of character driven aesthetic. The layers of armour give a real sense of kineticism which is really the only objective of any movie design. To be able to imagine how the plates overlap and segment as the robot moves  - possibly as they would on-screen - is a testament to this design. Of course whether this figure carries over the presence of Megatron as seen in the movie remains to be seen, especially when this is the first attempt at the design (remember how awkward that first AOE Optimus was) but something about it makes me feel confident that they've done a good job here. Even with the deeply weird jet mode.



The Last Knight aside, this is a very competent and very unique new rendition of the Emperor of Destruction and I'd heartily recommend it. I struggle to think of anything else in my collection that evokes quite the same sense of restrained malice - certainly not another Megatron figure. Time will tell how strongly this design is received compared to each of Megatron's previous incarnations as he does seem landed with the disadvantage of a new look in every appearance. Will he finally get a break and be allowed to seem as constantly iconic as Optimus? I'd like to be hopeful, but somehow I doubt it. Maybe he needs to be just a touch more #Refined...



Follow Ben on Twitter @Waspshot23

Sunday, 18 June 2017

Spinout Chest Fix from Printformers

 - Dorian MacQuarrie


Shortly after posting my article on Omnigonix Spinout I received some pieces in the post which aim to fix one of the more glaring issues on Spinout, the chest connection. 




Beyond all the QC issues the connection between the roof of the car and the neck assembly prevents any real handling of Spinout without having to constantly readjust and reconnect said neck assembly to said car roof. It may hold for a second or two but look at it the wrong way and pop, it's come undone. 

Thankfully there is a piece available from Printformers which rectifies this and boy oh boy, what a case of rectifying it is! 

Arriving in a quaint little brown box, these 3D printed pieces replace two silver neck panels, allowing for a much, much, much stronger connection. The pieces bare (bear?) carry the telltale granulation of a 3D printed piece but the black hides this well enough. It would be nice to have a more polished piece but their function far outweighs their aesthetics in this case and I quite like the black neck piece as opposed to the stock silver. 




Installation is super easy as everything is held on via a single pin and parts can be easily slid off/on as needed.






The result? A much stronger connection that can withstand handling and posing. The connection is strong enough to bear the weight of the whole figure, which yes, might not be such a grand statement but it is a remarkable step up from how the figure was out of the box. 





If you're interested in buying a set for yourself (and I highly recommend that you do) head on over to Printformers' Facebook page where you can see this and more examples of his great work. 

https://www.facebook.com/Printformers/


Also check out this video for installation and further commentary from the designer of the pieces. 







Until next time, keep it #Refined

Wednesday, 14 June 2017

Defining the work of Geoff Senior. Part 1/3

- Leigh Gregurke


The team of Senior and Furman is perhaps a big reason why Transformers fiction and art has the credibility and reputation it does now. Its hard to find a working artist who doesn't call on Geoff Senior as an inspiration or love and his work could be seen as defining the visual style of so many now prevalent characters.

What makes Senior so great though? I've always valued his work even from a young age. I would skip other artists at times but never a Senior Issue, never. Now with a more trained eye and understanding of the craft I want to look back and unpack exactly what he did that pulled me into a story with such effect. Over three parts I hope to break down and unpack Senior starting with composition and cause and effect.


Marvel Comics


I wanted to begin with something I think most people know, Target 2006 Part 8. An issue devoted entirely to a fight between two emergent behemoths of the fiction. Furman uses Medias Res (starting in the middle of the story or action) driving the viewer straight into the work. Senior assists and places us immediately into a dangerous and exciting position visually. The action is angled directly towards and heading past us, the curving lines of the road and the smoke cutting into the gutters, the panel borders themselves cut at the tops showing motion and direction, everything angles towards the centre of the page, defining our focus while the by-standing cars career from its unstoppable path.

The sense of chaos reads immediately and we see the cars careering off the road letting us know the reckless and dangerous nature of the chase venturing to the wrong side of the road. The low shot gives us the underbelly of the Magnus truck mode, the smoke and grit sell the desperation and energy. Both Magnus and the other cars motion remind me of Frank Miller and Sean Gordon Murphy in the way they often depict cars almost airborne in speed, out of control and no longer chained to the surface. I will cover Senior's mark making, spotting of blacks and anchoring lines in a later article but I want to highlight the way Senior uses solid black shapes to show Magnus's cab, it adds tremendous weight and visual priority to the contrasting white of the cab against the stark background.

I think what immediately sells me on the desperation and consequence of this page is the action's visceral intent. Galvatron's hand clutching the shattered roof is both for his own survival but an act of incredible violence. Senior acknowledges the importance of alternate modes in Transformers lore and utilises their physical options for action. Creating a sense of chase in this issue pulls in some of the terror of films of the era that I loved, the relentless pursuit in Westworld and Terminator but also the speed and danger of the chase from Friedkin's To Live and Die in LA.



Marvel Comics

The page following carries the same intent and utilises a bit of a Senior trademark: the wide flat horizontal shot. In this instance it both acts as an establishing shot giving us a sense of scale but it also acts like a metronome and gives us the beat of the page. Sequential art at its best engages a pace and rhythm to assist the viewer and connect art with a sense of speed. Starting from the left and ending on the right of the page the top horizontal panel provides us a certain constant as the panels following all echo its action and we are reminded always of the situation. The final 2 panels even sit in the in same format as the top panel however zoomed in giving us the detail required to tell the change in situation. Cause and effect exists at the heart of good visual storytelling, the viewer must understand an action and its response. Senior I think delivers action so well in that we see always an act of something happens, therefore another thing happens, there never feels a jump or leap that we struggle to read or understand.


Marvel Comics

The final page, the climax of the tremendous back and forth struggle ends much like the story began with a now iconic image. Immediately the first two panels establish the emotion and brevity, the consequences of chaos and aggression. The flames all burn to the right providing direction, the following image echoes that direction with trademark Senior impact and we again see the panel borders affected by the action. Galvatron's stance is one of power, exaggeration and dominance and he strides almost out of the panel itself with generous foreshortening on show reminiscent of the great Jack Kirby handling a Captain America Punch. The shape contrasts are perhaps exaggerated more than ever here, Magnus's squared lines against the strong curved form of Galvatron. Almost centrally his cannon attracts the eye as it feels pointed towards the viewer demonstrating menace and dread with its black-hole like emptiness once again echoing the importance of the viewers eye from the opening page. The choice to obscure Magnus's face and instead focus on his reaching hand is a powerful one and it reads as desperation and defeat and allows Galvatron all the spotlight.


Marvel Comics. Jeff Anderson

I want to make it clear right now that I am always loathe to compare artists. I would rather find the strengths and promote what I love about artists and it's a rare occasion when I will pit them against each other but I wanted to include this page from the following issue by Jeff Anderson just to show how incredible Senior is. Anderson is a classic UK mainstay and I really enjoy his work. The above image reads well and gives us the required information but contrast the two. Anderson places the characters in the same plane and has the viewer at a similar eye level. Galvatron's dominance reads but the sense of scale, the contrast in power, the triumph and destruction is subdued and perhaps lacks the intensity that Senior utilised by having the scene have a sense of depth and placing the viewer directly in its way.

I remember reading advice from the brilliant John Romita Snr on having your figures feel heroic, allowing yourself to exaggerate foreshortening and make them look as they are lunging out of the page. When I think of action and cause and effect in sequential work that I love I find myself drawn to that style, whether it is Geoff Senior or other luminaries such as Romita's son who carved his own reputation as one of the greats here on Daredevil with Anne Nocenti or Walt Simonson on wonderfully indulgent and bizarre Robocop vs Terminator collaborating with Frank Miller.


Marvel comics. John Romita Jnr
Dark Horse Comics. Walt Simonson

Geoff Senior throughout his run on Transformers and other works consistently told excellent, clear and engaging stories visually. I knew when I was young, even when I sped read through some of the issues what was going on, he depicted action like no other artist. I cannot see characters such as Rodimus, Scourge, Goldbug, Thunderwing, Death's Head and of course Galvatron and Ultra Magnus without his vision and style defining them.
In part two I will cover Senior's mark making, quality of line and spotting of blacks.


What are some of your favourite Geoff Senior scenes? Let us know.

Until next time, keep it #Refined


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